Horror Movies to End Your Summer With a Thrill

Published: August 18, 2023

No matter should you’re a horror die-hard or an occasional toe-dipper, right here’s an end-of-summer information to slashers, thrillers, creature options, child comedies and different scary films.

The buzzy new horror film in theaters is “Talk to Me,” an Australian demon-possession movie by the brothers Danny and Michael Philippou. Despite some messy storytelling — does anyone work on the native hospital? — it’s a propulsive film about trauma, parenthood and the afterlife that manages to be each harrowing and tender.

New York’s repertory theaters are at all times providing alternatives to find or revisit horror’s previous. The Alamo Drafthouse has two very totally different creepy movies on faucet: “Psycho,” the groundbreaking and nonetheless terrifying 1960 proto-slasher (Aug. 18, 20 and 22 on the exhibitor’s Staten Island location), and “Killer Workout” (Aug. 22, Brooklyn), a 1987 schlocky slasher about an aerobics studio underneath siege from a maniac.

Take a time machine to grindhouse-era sleaze on the Nighthawk in Williamsburg, which is displaying “The Honeymoon Killers” (Aug. 23), a 1970 thriller based mostly on the lives of Martha Beck and Ray Fernandez, in any other case often known as the Lonely Hearts Killers.

Laptop, schmaptop: See it massive in “See It Big,” a collection devoted to 70-millimeter movies now on the Museum of the Moving Image in Queens. The catastrophe movie is a horror-adjacent style that warms my fear-seeking coronary heart, so I’d go along with a progenitor: “Airport,” (Aug. 25-26), the 1970 camp-as-heck drama with a starry forged that features Burt Lancaster, Dean Martin and Jacqueline Bisset.

Brooklyn’s Spectacle Theater is understood for its out-in-left-field repertory programming. Its Dark Side of Summer collection hits a Gen X residence run with “Cutting Class” (Aug. 19 and 24), a wacky 1989 highschool slasher-comedy starring a baby-faced Brad Pitt and a sourpussed Roddy McDowall.

“What better way to cool down in the sweltering August heat than by watching two chilling black-and-white gay serial killer flicks?” That’s how Anthology Film Archives payments its experimental double function on Aug. 18, a part of the Narrow Rooms collection of subversive queer cinema. On faucet are “Dead Dreams of Monochrome Men” (1989), a wordless cinematic adaptation of a theater piece in regards to the serial killer Dennis Nilsen, and “Pig” (1998), a brief movie a couple of ritual homicide.

If it’s too sizzling to open the entrance door, I say flip the lights out, crank up the AC and stream among the yr’s hottest horror films, together with “Scream VI” (Paramount+), “M3gan” (Amazon Prime Video), “Evil Dead Rise” (Max), “Infinity Pool” (Hulu) and “Knock at the Cabin” (Peacock).

For new worldwide horror, head to Netflix. Two current standouts embody “The Strays,” a darkish drama about secret traumas that hang-out a household in suburban England, and “Troll,” a teen-friendly, folk-horror creature function a couple of towering moss-covered monster that ravages Norway.

Tubi, the ad-supported streaming service, has a terrific roster of traditional horror, together with “Ringu” (1998) and “Last House on the Left” (1972). But for a Friday evening at residence with pals and pasta — manicotti, to be precise — you may’t get funnier than the brand new adults-only gross-out animated comedy “Pastacolypse,” a couple of chef named Alfredo Manicotti who turns right into a maniacal noodle monster out to deprave a gluten-free world.

Two of the yr’s most experimental and renegade horror films are streaming, too. “Skinamarink,” now on Hulu, is a starkly minimalist and macabre temper piece about kids and the evening terror they encounter inside their residence. “The Outwaters,” on Screambox, is a brutal and gory movie — an expertise, actually — about an entity that assaults a bunch of pals within the Mojave Desert. Consider your self warned.

A sweeping view of Times Square is a perk of the Rooftop Cinema Club, which reveals movies atop the Embassy Suites Hotel on West thirty seventh Street in Manhattan. Horror films on the calendar embody the comedy “Scary Movie” (Aug. 20) slasher traditional and the family-friendly comedy “The Addams Family” (Sept. 1). But my must-see choose is “Jennifer’s Body” (Sept. 3), a deeply unsettling feminist fable from 2009 in regards to the aftermath of a lady’s traumatic sexual assault.

Some of my favourite childhood reminiscences are watching scary (however not too scary) films by moonlight. The 2022 animated sci-fi journey “Strange World” (Aug. 26) is displaying free of charge at Police Officer Nicholas Demutiis Park in Queens as a part of the New York City Department of Parks and Recreation’s Movies Under the Stars collection.

Creepy costumes and a starvation for nostalgia are inspired on the Rosendale Theater in Rosendale, N.Y., an Ulster County cinema a couple of two-hour drive from New York City. The theater has a strong calendar of style films all yr, however I’m a fan of its Saturday Creature Features collection. The theater is displaying a gem, “Them!” (Aug. 19), the gonzo 1954 B-movie about larger-than-life monster ants who tear up Los Angeles.

Over Labor Day weekend, the Mahoning Drive-in in Lehighton, Pa., a couple of 90-minute drive from New York, is internet hosting “Camp Blood,” a 35-millimeter camping-themed horror film extravaganza. The schedule is heavy on slashers, together with “The Burning,” a 1981 revenge slice-and-dicer with Jason Alexander and Holly Hunter (to be adopted by an precise campfire); “Friday the 13th: The Final Chapter,” the of-course-not-final movie within the slasher franchise, from 1984; and “Sleepaway Camp,” the queer however controversial vengeance fantasy that turns 40 this yr.

The weekend contains raffles, reside music and video games, together with an eyeball toss and the Crystal Lake Morgue Body Bag Race. I like to recommend visiting hungry: The concessions, together with vegan choices and my favourite, pierogies, are reasonably priced and pigout-worthy.

Source web site: www.nytimes.com